From physics.su.OZ.AU!studer Sun May 31 15:54:12 1992 Return-Path: Received: from 129.78.129.1 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Sun, 31 May 92 15:53 PDT Received: from alfven.physics.su.OZ.AU by physics.su.OZ.AU (5.61+IDA+MU/1.34) id AA03155; Mon, 1 Jun 1992 08:52:53 +1000 Received: by alfven.physics.su.OZ.AU (4.1/5.17) id AA17002; Mon, 1 Jun 92 08:52:52 EST Date: Mon, 1 Jun 92 08:52:52 EST From: studer@physics.su.OZ.AU (Andrew Studer) Message-Id: <9205312252.AA17002@alfven.physics.su.OZ.AU> To: eps@reed.edu Subject: Soundblaster direct to disk (was "off the EPS path) Soundblaster samples in glorious 8 bit mono. Just think. It'd be like doing HD recording with a Mirage. Andrew Studer studer@physics.su.oz.au From mentor.cc.purdue.edu!greenejl Sun May 31 16:17:52 1992 Return-Path: Received: from 128.210.10.8 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Sun, 31 May 92 16:16 PDT Received: by mentor.cc.purdue.edu (5.61/Purdue_CC) id AA00272; Sun, 31 May 92 18:16:14 -0500 From: greenejl@mentor.cc.purdue.edu (Jonathan Greene) Message-Id: <9205312316.AA00272@mentor.cc.purdue.edu> Subject: I'll be gone soon (sob sob) To: eps@reed.edu (Ensoniq EPS Mailing List) Date: Sun, 31 May 92 18:16:13 EST Hi all! I will be leaving Sunday, June 7. I might be back once in early, August, but essentially, I'll be gone until I can find a job and an internet connection. I was wondering if I could make some kind of deal with someone. Is there a way someone could US mail me IBM (HD) disks with the helpful interesting information and compressed GKH sounds posted here, say once a month (of course, I'd reemburse you). Another way (if cheaper) would be for me to be able to use my modem and call someone to get these files. I'll be living in Charleston, West Virginia until I get a job (in case that matters, ex: if someone is close). I hate to beg, but (times are rough), if anybody knows of an entry level position that could be filled by an Information Systems person with a BS (in Computer Science) from Purdue University (ie. me), PLEASE let me know. I'm not too picky anymore. I'd also consider a position outside the US if available. I still have a week left, and will see if I can add some more sounds to altosax.I'm still hoping for the akai samples and the new versions of epsread and epswrite with source before I leave. When I have time, I'll try to make a nice Windows 3.1 front end for the epsread and epswrite programs. I'll miss this group (all 112 people?). Also, please remove my name from this list AFTER August 1, 1992. Please E-mail me if you care to know my US mailling address. Thanks for all the samples and EPS help, Jon Greene From ualr.edu!jabussey Mon Jun 1 05:40:11 1992 Return-Path: Received: from 144.167.10.38 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Mon, 1 Jun 92 05:40 PDT Received: from beta.ualr.edu by UALR.EDU with PMDF#10154; Mon, 1 Jun 1992 07:39 CDT Received: by UALR.EDU (MX V3.1) id 16065; Mon, 01 Jun 1992 07:38:29 EDT Date: Mon, 01 Jun 1992 07:38:22 EDT From: Hard On The Beaver Subject: RE: Soundblaster direct to disk (was "off the EPS path) Sender: jabussey@ualr.edu To: studer@physics.su.OZ.AU Cc: eps@reed.edu Message-id: <0095B706.B903AB80.16065@UALR.EDU> | Soundblaster samples in glorious 8 bit mono. Just think. It'd be like | doing HD recording with a Mirage. Hopefully the Gravis 16bit Ultrasound will be out soon. IT can record at rates up to 44.1Khz | | Andrew Studer | studer@physics.su.oz.au From Sun.COM!sybase!mw Mon Jun 1 11:22:48 1992 Return-Path: Received: from 192.9.9.1 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Mon, 1 Jun 92 11:21 PDT Received: from sun.Eng.Sun.COM by Sun.COM (4.1/SMI-4.1) id AA26767; Mon, 1 Jun 92 11:21:03 PDT Received: from sybase.UUCP by sun.Eng.Sun.COM (4.1/SMI-4.1) id AA08048; Mon, 1 Jun 92 11:21:01 PDT Received: from orion.sybase.com by sybase.sybase.com (4.1/SMI-4.1/SybGW2.0) id AA17862; Mon, 1 Jun 92 10:40:54 PDT Received: by orion.sybase.com (4.0/SMI-4.1/SybEC2.1) id AA08715; Mon, 1 Jun 92 10:40:53 PDT Date: Mon, 1 Jun 92 10:40:53 PDT From: sybase!mw@Sun.COM (Michael Wertheim) Message-Id: <9206011740.AA08715@orion.sybase.com> To: eps@reed.edu, jabussey@ualr.edu Subject: Re: Off the EPS path a bit... > Since you see these HD recording systems for thousands of > dollars it seems strange that I can order a Sound Blaster pro and have > Direct to disk recording. I have a Mac and an Audiomedia card (and an EPS and Studio Vision). Audiomedia is the cheapy version of Sound Tools. Audiomedia costs $800 while Sound Tools costs about $2000. The difference is that Audiomedia only has analog inputs and outputs, while Sound Tools has both analog and digital inputs and outputs, which means.... 1) You can record from DAT and play to DAT with no analog conversions. 2) You can save your Sound Tools files (i.e. both the sound and all of the other file info and parameters) to DAT. Audiomedia can only play the sound out over the analog outputs, so you can't save the other file info and parameters to DAT. 3) Sound Tools comes with a program for creating master DATs for producing CDs. It segues the tracks and takes care of track markers and indexes. From fl08-g.comm.mot.com!schickda Wed Jun 3 10:50:37 1992 Return-Path: Received: from 129.188.136.100 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Wed, 3 Jun 92 10:49 PDT Received: from pobox.mot.com ([129.188.137.100]) by motgate.mot.com (4.1/SMI-4.0) id AA19340; Wed, 3 Jun 92 12:48:06 CDT Received: from comm.mot.com ([145.1.3.2]) by pobox.mot.com (4.1/SMI-4.0) id AA04429; Wed, 3 Jun 92 12:48:03 CDT Received: from fl08-g.comm.mot.com (node_27d3b.comm.mot.com) by comm.mot.com (4.1/SMI-4.0) id AA27360; Wed, 3 Jun 92 12:50:50 CDT Received: by fl08-g.comm.mot.com ( 5.52 (84)/5.17) id AA04235; Wed, 3 Jun 92 13:37:11 EDT Message-Id: <9206031737.AA04235@fl08-g.comm.mot.com> From: schickda@fl08-g.comm.mot.com (David Schick) Date: Wed, 3 Jun 92 13:37:06 EDT Subject: Does SampleVision support the EPS-16+? To: eps@reed.edu Hello, all! I'm just wondering if SampleVision supports the EPS-16+ format. If it does, and someone has a copy, could you please email it to me? (I understand it's a shareware program.) Thanx for any help, - Zoltan ------------------------------------------------------------------ | schickda@fl08-g.comm.mot.com | | | | We just THINK we exist in space and time. | ------------------------------------------------------------------ From hub.ucsb.edu!cosmo%cs Wed Jun 3 12:20:50 1992 Return-Path: Received: from 128.111.24.40 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Wed, 3 Jun 92 12:18 PDT Received: from cherry (cherry.ucsb.edu) by hub.ucsb.edu; id AA27784 sendmail 4.1/UCSB-2.0-sun Wed, 3 Jun 92 12:18:59 PDT for eps@reed.edu Message-Id: <9206031918.AA27784@hub.ucsb.edu> Received: from by cherry (4.0) id AA00291; Wed, 3 Jun 92 12:18:52 PDT Date: Wed, 3 Jun 92 12:18:52 PDT From: Burtin Posted-Date: Wed, 3 Jun 92 12:18:52 PDT To: eps@reed.edu Subject: SampleVision > From: schickda@fl08-g.comm.mot.com (David Schick) > > I'm just wondering if SampleVision supports the EPS-16+ > format. If it does, and someone has a copy, could you please > email it to me? (I understand it's a shareware program.) A shareware sampling program? You've perked my curiosity. Does anyone know about this package? - Boris (cosmo@cs.ucsb.edu) From cco.caltech.edu!jaywb Thu Jun 4 02:45:58 1992 Return-Path: Received: from 131.215.139.100 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Thu, 4 Jun 92 02:45 PDT Received: from bartman.cco.caltech.edu by tybalt.caltech.edu (4.1/1.34.1) id AA27716; Thu, 4 Jun 92 02:45:50 PDT Date: Thu, 4 Jun 92 02:45:50 PDT From: jaywb@cco.caltech.edu (Jay William Bromley) Message-Id: <9206040945.AA27716@tybalt.caltech.edu> To: eps@reed.edu Subject: Sample Vision I have been looking at Turtle Beach's Sample Vision myself. A very interesting program. I have yet to actually demo it, but I understand it does, looping, pitch shifting, and a host of other sample data functions. It does indeed function with the 16+, but all sample data is sent over MIDI. I believe the program does not support SCSI. It is not shareware, as far as I know, but instead a commercial program by Turtle Beach. Perhaps you heard of the demo? -jay jaywb@juliet.caltech.edu From sand.sics.bu.OZ.AU!s057 Thu Jun 4 05:12:10 1992 Return-Path: Received: from 128.250.1.21 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Thu, 4 Jun 92 05:11 PDT Received: from sand.sics.bu.oz (via bunyip) by munnari.oz.au with SunIII (5.64+1.3.1+0.50) id AA03165; Thu, 4 Jun 1992 22:11:27 +1000 (from s057@sand.sics.bu.OZ.AU) Received: from sand by surf.sics.bu.oz.au (5.65b/Ultrix-32-V3.0) with SMTP id AA23381; Thu, 4 Jun 92 21:36:13 +1000 Return-Path: Received: by sand.sics.bu.oz.au (5.57/Ultrix-32-V3.0) id AA17755; Thu, 4 Jun 92 21:36:55 EST From: Stephen Gregory Message-Id: <9206041136.AA17755@sand.sics.bu.oz.au> Subject: Sample Vision To: eps@reed.edu Date: Thu, 4 Jun 92 21:36:54 EST X-Mailer: ELM [version 2.3 PL11] I was interested in the package a few months back, and got some info back from people off this list about it. I was put off mainly by the price factor which, if I'm thinking of the right package, was around $600. I can't remember now whether that was Aussie dollars or U.S. Steve Gregory, Gold Coast Australia From techno.isc.rit.edu!ECLDCO Thu Jun 4 05:23:43 1992 Return-Path: Received: from 129.21.200.40 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Thu, 4 Jun 92 05:23 PDT Received: from techno.isc.rit.edu by techno.isc.rit.edu (PMDF #13009) id <01GKT603FPLC0002EI@techno.isc.rit.edu>; Thu, 4 Jun 1992 08:21:05 EST Date: 04 Jun 1992 08:21:05 -0500 (EST) From: "Eric Loyd - Data Center Operations, x7320" Subject: SampleVision To: eps@reed.edu Message-id: <01GKT603HL420002EI@techno.isc.rit.edu> X-Envelope-to: eps@reed.edu X-VMS-To: IN%"eps@reed.edu" X-VMS-Cc: ECLDCO MIME-version: 1.0 Content-transfer-encoding: 7BIT SampleVision is NOT NOT NOT NOT NOT a shareware package!!!!!!!!!!!!!!!!!!!!!!! It is a VERY professional, non-shareware, you-must-pay-for-it-package. Going price is about $200 or so, last I saw. But, for the record, yes, it does support EPS's (all flavors). -Eric PS - I own it. I use it on my EPS, my Mirage, and my EMU. If you have any questions, let me know. From physics.su.OZ.AU!studer Thu Jun 4 16:17:54 1992 Return-Path: Received: from 129.78.129.1 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Thu, 4 Jun 92 16:17 PDT Received: from alfven.physics.su.OZ.AU by physics.su.OZ.AU (5.61+IDA+MU/1.34) id AA25758; Fri, 5 Jun 1992 09:17:24 +1000 Received: by alfven.physics.su.OZ.AU (4.1/5.17) id AA00141; Fri, 5 Jun 92 09:17:23 EST Date: Fri, 5 Jun 92 09:17:23 EST From: studer@physics.su.OZ.AU (Andrew Studer) Message-Id: <9206042317.AA00141@alfven.physics.su.OZ.AU> To: eps@reed.edu Subject: Loop Mod article part one OK Folks here it is. Part one of the dreaded "loop mod" article, promised for some time now. This part is sort of a "reference" part, going through all the edit:wave parameters and describing how they affect your sound. I'll try and do part two this weekend. And remember folks, keep fiddling with those parameters. I got a really nice "soft synth brass" sound from the dreaded Gabriel Shakuhachi Sample. Who'd a thought that sound could be used for something useful :-). So without further ado, here is.... ------------------------------------------------------------------------------- An Introduction to Loop Modulation on the EPS Classic Part One Andrew Studer, Jun 1992 Note: things should be fairly similar for the 16+ as for the Classic, however it has been verified that Loop Mod sounds are not necessarily compatible between the two machines. BASIC PARAMETERS: Loop FORWARD or BIDIRECTIONAL Loop START, END and POSN Mod START, LOOP, BOTH Mod SOURCE Mod AMOUNT (2 parameters: Coarse and Fine). 1) Forward vs Bidirectional The choice of this parameter will fundamentally determine the type of sound your Loopmod sample will have. The use of Forward will enable to slow down a timbral change that you perceive in an unlooped sample: for example if you have a sample which changes from a 90% pulse to a 50% pulse in 1/2 second, then using Forward will enable you to slow down that change as much as you like. However, you can't speed it up. Loop modulation never moves a loop faster than it would move if there were no modulation. A few tips on using Forward mode: Forward mode works when you create a single cycle loop which is in tune with the original sample and then modulate it. i) Remember, this option does not change the character of your sound except to "slow it down". ii) In order to make a successful forward loop, your sample must be scrupulously in tune for its duration. Any pitch variations in the sample will come out as distortion and/or "pops" in the sound. A sampled pulse from an analog synth where the pulse width is changing is a good beginning. iii) Tom Williams reports that by only modulating the loop in a positive direction (ie from early in the sample life to later on) clicks and pops can be avoided. However, after experimentation I've found that the loop can be modulated in either direction provided the loop is perfectly in tune with the sample- and I mean perfect. If you're a fraction of a byte out, it doesn't work. Bidirectional mode In Bidirectional mode, samples end up with a phaser/chorus type of sound. In fact I'm going to use the term "chorus" and "chorus speed" because the terms fit very well here. As a clue to what to expect, if you bidirectionally loop a square wave sample, you get something which sounds a lot like pulse width modulation. Typically, with a little effort in Bidirectional mode, you'll get a sound that "works"- that is, doesn't pop, click or distort. It may not be what you want, but it will still sound vaguely "good". This mode is a lot less fussy than modulating Forward. 2) Sample Start, End and Position Well, in Forward mode, there's no latitude with how you set Start and End, however Posn's usually worth playing with so that you can set the loop to somewhere in the sound that seems interesting. For example, you might have a 100000 byte sample and only end up needing about 10000 bytes of it, but having the whole sample there gives you something to play with. You can often get a couple of different sounds from the same source. In Bidirectional mode, though, you have a great deal of freedom in your start and end positions, and the sound you get out the other end will often bear little resemblance to the source. A few general tips though: i) The closer the loop start and end are together, the more the sound is "effected". Imagine that it's like turning your chorus wet/dry mix to "wetter". It's also simpler harmonically in that, if you try and imagine what the sound is like without the huge "flange", it would not sound like a complex sound. Bi mode loops with close start and end points tend to sound like chorused triangle waves. ii) The further apart the loop start and end together, the harmonically "richer" the sound. Furthermore, part of the sound appears "chorus" effect. That is, your sound will seem like a single cycle wave superimposed over a chorused sound. This is particularly true if the loop length is longer than what you'd need for a single cycle wave if the modulation were turned off. iii) Remember, changing the loop start and end positions will change the pitch. Get used to swapping between the edit:wave and edit:pitch pages to keep your sounds at least roughly in tune. 3) Loop Modulate: Start, Loop or Both Well, you have to use either Loop or Both for this whole thing to work.I typically set my Sample Start point equal to my Loop Start point and use Both. 4) Loop Modulation: Source Well, lots of choices here: wheel, pressure, Xctrl etc. I find that most of these are pretty "grainy" with two exceptions: LFO and ENV. Note: In OS versions earlier than 2.49 the LFO seems "grainy" too. Note: "grainy" means that the loop modulation sounds rough and appears as a whole lot of different sounds "stuck" together rather than one continuous changing sound. With OS 2.49, I was quite pleasantly suprised to find that the LFO is now much more effective. 5) Loop Modulation: Amount In Forward mode, this changes the rate at which the single cycle changes. Given a fixed setting for your mod source, the bigger the number, the greater the change (obviously). To get a feel for what's going to happen to your sound as you fiddle with this, set the "fine" control to 99 and play with the coarse control going from 1 byte up. When the scale is about right, but a bit more than you'd like, then you can turn your fine control down to tweak things. The same applies for Bidirectional mode: the bigger the numbers, the bigger the change. However, increasing the numbers also he effect of increasing the "chorus rate" given the same settings for your mod source. On either settinexample, the LFO amount or the ENV values are scaled by this parameter. More on this later. USING THE ENVELOPES TO AS A MOD SOURCE The basic thing to remember here is that your envelope LEVELS correspond to the position in the sample (it's like the Loop Posn parameter) and the TIMEs determine how long it takes to go from position to position. In Bidirectional mode, the Envelope Time values also determine "chorus rate": the bigger the number, the faster it goes. Remember that turning up the Attack Time Vel parameter means that hitting the keys harder decreases the attack time: which means that the loop will move f aster from position to position. In Bidirectional, it means that your keyboard velocity affects the chorus rate. Nice effect. I haven't played with Keyboard Scaling much. I'll get onto this and inform you all later. Remember again he Envelope Levels correspond to Loop Position. So if you set your SoftVel and HardVel to different values, you have lots of control over whereabouts in the sample things happen. For example, if your first envelope level is different in the soft and hard positions, then your key velocity controls whereabouts in the sample your sound will start. For initial playing around, it's worth turning the Vel Curve off. As a good starting point, use the Ramp Up template and change the first two time values to 70 or so then go back to the Edit:Wave page and play with the LoopMod Amount. The Repeat Triangle is also a good template, again change the time values from 6 to about 60 or so. END OF PART ONE. ------------------------------------------------------------------------------- In Part Two: Examples for using the Envelopes and a guide to using the LFOs Also on its way: An "examples" disk with modulated square waves etc. From psychok.dialix.oz.au!leigh Thu Jun 4 17:55:31 1992 Return-Path: Received: from 128.250.1.21 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Thu, 4 Jun 92 17:55 PDT Received: from uniwa.uwa.oz.au by munnari.oz.au with SMTP (5.64+1.3.1+0.50) id AA23867; Fri, 5 Jun 1992 10:54:24 +1000 (from leigh@psychok.dialix.oz.au) Received: by uniwa.uwa.edu.au (5.65c) id AA12404; Fri, 5 Jun 1992 00:14:33 +0800 Received: from psychok by DIALix.oz.au id aa23614; Thu, 4 Jun 92 22:23:31 WST To: DIALix!eps@reed.edu Subject: SampleVision Date: Thu Jun 4 22:23:40 1992 From: leigh@psychok.DIALix.oz.au Message-Id: <9206042223.aa23614@DIALix.oz.au> Samplevision isn't a Shareware package, it's commercial: US$349.00. The vendor is Turtle Beach Systems. The most recent version is V2.0. V1.1 and above supports both the EPS and the EPS-16+. I'm using it, its quite nice, although there are a couple of user interface things which could be better. Leigh From sndcrft.dialix.oz.au!steveq Fri Jun 5 09:07:32 1992 Return-Path: Received: from 128.250.1.21 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Fri, 5 Jun 92 09:07 PDT Received: from uniwa.uwa.oz.au by munnari.oz.au with SMTP (5.64+1.3.1+0.50) id AA17834; Sat, 6 Jun 1992 02:06:42 +1000 (from steveq@sndcrft.dialix.oz.au) Received: by uniwa.uwa.edu.au (5.65c) id AA05868; Sat, 6 Jun 1992 00:06:39 +0800 Received: from sndcrft.DIALix.oz.au by DIALix.oz.au id aa25609; Fri, 5 Jun 92 22:41:35 WST Received: by sndcrft.DIALix.oz.au (HERMES RMAIL 1.00 Rev. Jan 16 1992) id <0bpcpb6@sndcrft.DIALix.oz.au>; 05 Jun 92 03:23 MET From: steveq@sndcrft.DIALix.oz.au (Steve Quartly) Message-Id: Organization: Sound Craft Creative Music Subject: Lots of things To: eps@reed.edu Reply-To: steveq@sndcrft.DIALix.oz.au X-Software: HERMES GUS 1.00 Rev. Jan 16 1992 Date: Fri, 05 Jun 1992 03:23:02 MET Hi Gang, Hey thanks to Peter D. for sending me his shareware fee for EPS Disk Wizard! Hes the first!! Also thanks to Andrew Studer for his first article on the Loops in the EPS, I spend most of my time writing software & music, and not much time creating samples, so its a bonus for people like me. What system does Sample Vision run on...... Atari by any chance >8-) See ya, -- <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> S t e v e Q u a r t l y, P e r t h W e s t e r n A u s t r a l i a, _--_|\ N PH: Aus [61] Perth (09) Local (309 4445). / \ W + E Perth --> *_.--._/ S 43rd Law of Computing: Anything tha can go wr v error: Segmentation violation -- Core dumped. steveq@sndcrft.DIALix.oz.au <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> From ads.com!pdel Fri Jun 5 09:39:29 1992 Return-Path: Received: from 128.229.30.19 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Fri, 5 Jun 92 09:39 PDT Received: by saturn.ads.com (5.65+/1.34v1.3) id AA01632; Fri, 5 Jun 92 09:40:03 -0700 Date: Fri, 5 Jun 92 09:40:03 -0700 From: pdel@ads.com (Peter Delevoryas) Message-Id: <9206051640.AA01632@saturn.ads.com> To: eps@reed.edu Subject: Support your local Disk Wizard Hey, anyone else using Steve's program? Why not send him a little dough to further his efforts? Read the fine print, too, he's not asking for big sums of money (but probably wouldn't mind); anyway, the README in the program says you can send $20 OR SO. That means <= $20 or >= $20 ! And then he goes on to say "It adds incentive for hime to expand the program...." I don't know about anyone else but I really hope he can get the thing to translate sequence files to EPS format. Supposedly there will be some articles in the Hacker on this to supply some needed info. So hey you guys w/Ataris and Disk Wizard send in something, okay? Disclaimer: This is not a paid announcement, and I'm not in politics :) PD From techno.isc.rit.edu!ECLDCO Fri Jun 5 10:36:41 1992 Return-Path: Received: from 129.21.200.40 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Fri, 5 Jun 92 10:36 PDT Received: from techno.isc.rit.edu by techno.isc.rit.edu (PMDF #13009) id <01GKUV8NKUFK0000PC@techno.isc.rit.edu>; Fri, 5 Jun 1992 13:34:04 EST Date: 05 Jun 1992 13:34:04 -0500 (EST) From: "Eric Loyd - Data Center Operations, x7320" Subject: SampleVision To: eps@reed.edu Message-id: <01GKUV8NM6O20000PC@techno.isc.rit.edu> X-Envelope-to: eps@reed.edu X-VMS-To: IN%"eps@reed.edu" X-VMS-Cc: ECLDCO MIME-version: 1.0 Content-transfer-encoding: 7BIT The only versions of SampleVision that I have seen are PC based. Sorry. -Eric From pcocd2.intel.com!dcovell Fri Jun 5 11:53:18 1992 Return-Path: Received: from 128.215.65.2 by reed.edu (/\==/\ Smail3.1.25.1 #25.21) id ; Fri, 5 Jun 92 11:53 PDT Received: from pcocd2.intel.com by hermes.intel.com (5.65/10.0i); Fri, 5 Jun 92 11:52:57 -0700 Received: by pcocd2 (5.57/10.0i); Fri, 5 Jun 92 11:51:10 -0700 From: dcovell@pcocd2.intel.com (David Covell - EPG) Received: by frx750 (AIX 3.1/UCB 5.61/FMDT-RS6000) id AA14385; Fri, 5 Jun 92 11:52:14 -0700 Message-Id: <9206051852.AA14385@frx750> Subject: Cakewalk sequences ->EPS? To: eps@reed.edu Date: Fri, 5 Jun 92 11:52:13 PDT Reply-To: dcovell@pcocd2.intel.com X-Mailer: ELM [version 2.3 PL11] Since I'm primarily a guitarist, I use my EPS only for pads and background stuff, so I'm not familiar with its' MIDI implementation. Thus, this is a rather naive question.... Can I create a sequence on a software sequencer such as Cakewalk and then somehow dump it to my old EPS? Is it possible to create a MIDI instrument on the EPS and then record to it via the EPS' MIDI In jack? I don't mind if the entire sequence gets written to only one track/one channel on the EPS. Like I said, naive question... if this isn't possible, where can I get a software program for PC that could convert a MIDI file from Cakewalk to an EPS sequence? DAVID COVELL dcovell@pcocd2.intel.com